Friday, 9 March 2018

Katherine Ryan: Glitter Room Tour, Pavilion Theatre, Glasgow. Thurs 8th Mar 2018.


Ashley Storrie supported. She's a bit like a young hybrid of Kevin Bridges and Sarah Millican and funny with it. Performing at THE Glasgow Pavilion was a big step up for her but she handled it superbly, the only sign of nerves being the regular checking of her watch. The home crowd loved her.
I was disappointed by Katherine. I expected the Acid Queen, displaying a biting wit in the style of Joan Rivers. Instead, she was warm and inclusive, presenting some well-crafted comedy about her life and daughter and some material about her perspective on the world. Her claws were razor-sharp but little used. I had heard some of the lines before from her telly work too, which always takes the shine off.
It wasn't that it wasn't funny. The females in the audience lapped it up like kittens mewing for their mother's teat. In fact, their howls of laughter was a little off-putting due to the disparity in my ears between the laugh delivered and their OTT reaction.
She is sharp, her vocal work outstanding, her call-backs clever but belly laughs were rare for me. It felt tame like she was holding back from the gut-busting laughs she is capable of. Maybe she is just getting tired as the tour is nearly finished. Or more likely she just wasn't for me.
And on those grounds, Sarah Pascoe is still my favourite female comedian.

Tuesday, 6 March 2018

Paloma Faith, The Architect Tour, SSE Hydro, Glasgow. Tues 6th Mar 2018


Midweek gigs are often subdued affairs, even in Glasgow. Everyone seemed to enjoy Paloma but it felt like something was lacking. Not that people weren't partaking of the amber nectar. Mr Brewery-Breath beside me supped two pints slowly over the course of the evening before nipping off early with the wife (his, not mine) before the final number. Maybe that was the problem: people had work the next day.

The support act was a guy called XamVolo. He looked cool in his stylish coat with furry lapels. It might have been due to the cold weather but I like to think he kept it on to reassure us he wasn't staying. His smooth jazzy pop grooves did nothing for me.

When the lights went back up after his set, the Glesga burds populating the private box behind us clucked and cackled like it was a hen party. One even screeched in a manner reminiscent of the sound I make pushing out a stubborn jobbie. I knew she was going to be trouble.

When the lights went out again and the curtain pulled back to reveal the stage, I was underwhelmed. For a tour promoting an album called 'The Architect', I felt the design was somewhat lacking: plastic crystals in a hill shape, bordered by a staircase on either side. The structure didn't even fill the stage. It wouldn't have looked out of place as a Dr. Who set from the seventies. Indeed, with the illuminated stairs leading up to the sparkly sphere at the back, I almost expected the Nimon to strut out in their platform boots, instead of Paloma. I liked the lighting though.

Her band was a lot tighter this time, with no dodgy brass section in tuxedos to ham about. She played a lot of numbers from the new album. When it came to her first quiet number, the box burds erupted in a sweary slanging match as one side refused to stay quiet. Sweary warnings were met with equally vulgar responses until even the people around us started to vocalise their unhappiness at them for ruining the sweet ballad. No one was physically hurt though. As I said, a subdued night in Glasgow.

Regardless of these niggles, I enjoyed the concert. Paloma's voice is strong, her range incredible, her tunes catchy and she is such a character. The little girl from Hackney has come a long way, never forgetting her roots even if she is a total space cadet. For example, she has this idea that the world would be a better place if everyone gave 50p of kindness away every day. She has an impish sense of fun for which the audience loves her.

Finally, I think the gig would have been better if it hadn't been all seated. Paloma finished strong with a lot of dance numbers but with everyone seated the energy was lost.

In summary, a good, but not great, gig.

Setlist
Evolution (Intro)
The Architect
Crybaby
Guilty
My Body
Lost and Lonely
Warrior
I’ll Be Gentle
Just Be
Kings and Queens
Can't Rely on You
Picking Up The Pieces
WW3
Tonight's Not Only Night
Lullaby
Til I’m Done
Changing (Sigma cover)

Encore:
Still Around
Only Love Can Hurt Like This
Love Me as I Am