I didn't fancy a night with Marti Pellow at the Kelvingrove Bandstand, despite being my wife and mother-in-law's chauffeur to and from the event. To kill time, rather than go home and return later, I thought I'd pay The Stand a visit, even though I didn't know who was on the bill (they don't publicise the Thursday lineup, referring to it as 'subject to change'). The comedy night would be far cheaper than a ticket to Marti (£75 after fees) or even a trip to the cinema. Normal Thursday night price is £11 inc booking fee, but as I'm a member I get in for £6.
Then I get an email from The Stand informing me the show would now finish at 10:10 pm, not 9:30 pm, as advertised, because they'd added a special guest to the bill. They'd happily refund me if this time change was not suitable. The later time actually suited me better as Marti wouldn't finish till 10:30 pm. I didn't see the social media post about the "Incredible secret special guest" until after the show.
After dropping off the pair on Sauchiehall Street, I drove over to Great Western Road, found a free space on a side street and headed to the venue. There was no indication on the board outside who was performing.
As I walk into the bar, the staff announce the doors are open, but it turns out to be a reminder as the room is already half full. The curtain is pulled over behind the back bench, so I'm not expecting a capacity crowd. I sit near the door at the back.
I buy an Irn Bru, see the socials board next to the bar and work out tonight's comedians are: Liam Farrelly, Chris Thorburn, Sinead Walsh and Ray Bradshaw. I spend the rest of my time people-watching, reading from my Kindle app, and scrolling through social media waiting for the show to start. Another lone attendee sits beside me. The room fills up so much that the staff open up the rear of the room.
Liam Farrelly is our MC for the evening. The Paisley comic does a great job getting to know the crowd, while integrating his material into the chat. His thick accent can mostly be understood by the international visitors. Dave is from Australia, though he sounds Scottish because he emigrated there thirty years ago. He was a chef in the merchant navy and is back to see his granddaughter, who is also present. She is studying commerce at Glasgow Uni, but hopes to study Business Law next.
A Lidl carrier bag sits on the stage platform. Liam tells the women who left it there to remove it, but not before he has a look inside. It contains a birthday cake and a knife, which is the best way to carry a weapon in Glasgow. It turns out the middle lady is 55 today. She is currently unemployed but has just produced a short film and is about to start work on the Batman film next week. She'll be on crowd control, she explains, a glorified security guard. Liam's still impressed.
So is Chris Thornburn, our first act. He studied film, and he engages with the birthday girl, using the conversation to transition into his movie material. He's also testing some new material, and it shows a little; his flow is slightly off, but still a solid performance with lots of laughs.
I don't find Sinead Walsh as funny. I've not encountered her before, an Irish lesbian who might pass for a boy, if it weren't for her boobs. Her set plays with examples of this ambiguous gender, such as at the airport, where the male and female security personnel can't decide which of them should frisk her. The routine about being told by her mother that she should be more like her brother pays off as you'd expect (she too drinks and shags women). I'm not sure if I'm witnessing an inexperienced comic or a nervous one, as she doesn't always commit to the material. Or it could be I'm not her demographic.
After the first interval, Liam discovers the man in the front row, Roddie, is also fifty-five today. He's a PE teacher at Paisley Grammar and is here with his daughter, who works in the Coop.
After a bit of chat, Liam then advises us to keep our phones in our pockets and be in the room for the next act, superstar comedian Kevin Bridges. The room erupts with cheers and clapping.
Kevin is working up some material for his next tour and brings his notes with him. This is his debut at the new venue, and it takes him a while to settle, not entirely happy with the volume of his microphone, still feeling his way around the space. When he hits his stride, though, he is phenomenal. He does thirty-five minutes before the second interval. The crowd loved him, especially getting to see him for such a low ticket price.
Headliner Ray Bradshaw jokes that Kevin was only supposed to do ten minutes, so we got good value. I didn't think this was true, given they'd extended the show time by forty minutes, but it got a laugh. He explained that when the Stand phoned to inform him they'd pushed back his slot to accommodate a special guest, they didn't tell him who it was. He reckoned it would either be Kevin or possibly Frankie Boyle. When he arrived at the venue and saw the Porsche outside, he knew it wasn't Frankie.
Liam had earlier identified a Texan brother and sister in the front row, with the girl working in an outdoor nursery in Maryhill. Ray knew of this place, as one of his footballing buddies sent his son there. There was an issue, though: the boy was being bullied by another lad who kept biting him. The nursery teacher laughed and said she knew who that was. Small world.
Ray's set is a mishmash of old and new material, all of it effortlessly funny. He is always good value. The story of his deaf dad and uncle working out which house in Sandhead his deaf aunt lived in was especially funny as we'd stayed in that village earlier this year and I could picture the scene exactly.
At the very end, Liam invited a young girl in a wheelchair onto the stage. She had a question to ask a special someone in her life. Her partner, also skinny, young and pierced, was invited to join her, whereupon the wheelchair girl got down on both knees and produced a ring. We couldn't hear the response as neither remembered to use the microphone. The pair got emotional and hugged each other. It took an intervention from Liam, taking back the mic, to let us know she'd said Yes. They were awarded the pair of tickets to another show, rather than it being drawn randomly from a hat.
I returned to collect my wife and mother-in-law, extremely pleased with my night. They had had a good time too.
It's amazing to think that what had been intended as just something to do turned into such a special evening. And all for six quid. Good on The Stand. Get out there, folks. You never know how good it will be.
Ticket Price: £5 (member price) & £1 Booking Fee = £6 from The Stand website.
Q: It's the Commonwealth Games in Glasgow this week. What would you win a gold medal for and why?
Producer Chris stepped in while Dave was on holiday.
Of all the panellists, Mark was the funniest, with most of his jokes landing. Liam came second, Ria third and way behind Krystal. As an American with no interest in sport, her biggest contribution was to suggest she would win a gold medal for shagging. Ria joked that for anyone affected by any of these issues, there would be a phone number at the end of the show. Krystal jumped in with, "yeah, my phone number".
Ria had a facial twitch (obviously, not important for a radio show).
The buzzers didn't work for the buzzer round, so the comedians had to raise a hand to make their suggestions.
This episode turned quite dark. It'll be interesting to hear what they could salvage. Des was in top quip form.
By the time my wife decided she'd like to see this gig, the tickets had sold out. Alerts on Twickets had proven fruitless, but I luckily searched Ticketmaster at the right time to snag two resales, albeit with service fees adding almost the price of a whole ticket to the cost. It was worth it, though, just to see the big, beaming smile on my wife's face when I told her why we couldn't go to the cinema on Wednesday night. The Odyssey would need to wait.
On Tuesday, the rain was torrential, but we lucked out, and it stayed dry tonight. It was chilly once the sun set, so I was glad I'd worn my jacket. So much for the heatwave.
Confession time: I'm not much of a Mika fan. I can appreciate his art, but musically, it doesn't touch the places that rock music reaches. That being said, his charm and energy won me over. It was a great concert. He loves performing. The fans danced, waved their arms, and sang along in all the right places. My back ached, and I had a giant in front of me, his head higher than my eye level despite me being the next step up.
A special moment occurred during Big Girls (You are Beautiful) when Mika joined us in the audience. He paused a few feet from us to request that everyone let go of their inhibitions and dance like they were at the Butterfly Lounge. Having stoked the crowd, he ran along our row right in front of us to continue singing amongst the crowd.
My wife said it was her best concert of the year so far, even better than her faves, Take That. I couldn't argue - it was her favourite. My only gripe was he didn't play the piano, remaining the frontman for the entire show. And for that reason I preferred his intimate show at SWG3 earlier this year.
A snippet of Happy Ending
The view from the coffee queue
Coffee Prices
support act
Mika can see all our faces.
Setlist:
Modern Times
Eleven
Relax (Take It Easy)
Ice Cream
We Are Golden
Spinning Out
Big Girl (You Are Beautiful)
(Mika performed in the crowd)
Popular Song
Science Fiction Lover
Lollipop
Origin of Love
Happy Ending
Elle me dit
Grace Kelly
Love Today
Outro music -Spinning Out (Instrumental)
Ticket Price: Tickets×2 £158.56 & Service Charge £28.56 = £187.12 from Ticketmaster (resale) (Original face value £65) purchased 27/7/26.
Preshow Music (from when we arrived):
Whitney Houston - I Wanna Dance With Somebody
Ce Ce Peniston - Finally
Miley Cyrus - Flowers
Lady Gaga - Just Dance
Lily Allen - Smile
Spice Girls - Wannabe
Bruno Mars - Locked Out of Heaven
Hanson - Mmmbop
ABC - Poison Arrow
Duran Duran - Girls on Film
Billy Ocean - Love Really Hurts Without You
Chappell Roan - Pink Pony Club
Sophie Ellis-Bextor - Murder On The Dancefloor
Dizzee Rascal - Dance Wiv Me (song cut short to play...)
Two preview shows for a damned fine price. Connor is definitely the bigger draw. He's almost sold out his entire Fringe run already, including three shows at the 3,000-seater Edinburgh Playhouse. Chris's shows have yet to sell out for any dates.
Chris's show is called Father Christmas, where he intends to bring the seasonal ho-ho-ho's rather than regular ha-ha-ha's. Intriguingly, it is a show he can perform at any time, except Christmas, and it has been sixteen years in the making. It's your typical Edinburgh show. No spoilers here, though.
One laugh I could recall: At Christmas, the family like to play party games, such as charades. Every year like clockwork, his father would mime the same film by unzipping his fly - "Free Willy". He then tops the joke by revealing all the wrong answers they had prepared, such as "The Color Purple", amongst others.
We saw his WIP for last year's Edinburgh show, and that was more developed than this one. Let's hope he finds his flow before the Fringe begins (but hey, that's the nature of works in progress).
Sneak Peek All-Star Edinburgh Fringe Previews Don't miss your chance to see some of the UK’s best headlining comedians - off notes and off adrenaline! Comedy stars including Connor Burns, Craig Hill and Kai Humphries, Chris Forbes, Kim Blythe plus more!
Please note these shows are still a work in progress; there will be some strong language, and although they might not be slick, they sure will be funny! Join us for a night - or two! - of uproarious and laugh-out-loud stand-up comedy.*
Thursday 23 July 2026 - Kai Humphries, Daniel Petrie and Connor Burns
Friday 24 July 2026 - Kai Humphries, Daniel Petrie and Craig Hill
Saturday 25 July 2026 - Kim Blythe, Daniel Petrie, Jack Brookmyre
Sunday 26 July 2026 - Chris Forbes and Connor Burns
Age Recommendation: 16+ (no babes in arms)
Tickets: £15
*£2.50 transaction fee applies
* Line-up may be subject to change at late notice*
When the email for this "secret gig" popped into my Inbox, I worried it was a scam. I still bought them, because I'm a comedy mug. I ended up buying four tickets, as Bob's wife and daughter also wanted to see him (my wife didn't).
Then, on the night, I feared I'd cocked up the date, as a notice board next to the bar listed Daniel Sloss as appearing on Wednesday, with Robin Grainger down for Thursday. My fears were assuaged, however, by the billboard above the doors to the basement.
Daniel explained on stage that he'd had two months off, and was due to perform in Boston next month, so he felt he'd better sharpen up his material before he flew out. The only problem was he couldn't remember which jokes he'd cut from the set and put online, so he decided to start afresh. Such was the context of tonight's WIP.
The core of the show revolves around him admitting he is addicted to weed, the MOST NON-ADDICTIVE DRUG THERE IS. He's done all the others with no problem, but with weed, he could lose six weeks chain-smoking from day to night. Not in a stoner kind of way. As a compulsion, hiding and lying and going behind his wife's back.
This thread worked well as he explained the journey he'd taken and why he hated himself for it. I enjoyed seeing the craft, with him telling a story, getting a moderate laugh and deciding he'd never tell that one again. Or decide he'd run over the punchline and next time would end the joke earlier on the bigger laugh. Normally, he appears super-in-control, a word-perfect comic on his tour shows. This was a nice reminder that what appears effortless takes a lot of work.
Well worth a tenner plus booking fee.
Secret show Ticket Price: £10 plus £1 Booking Fee per ticket
Scott's lurgy had developed from a sore throat into a full-blown respiratory infection, so he remained in bed on Sunday, skipping breakfast and missing out on the last day of the festival.
Velvet Rush were first on. I heard their soundcheck from the barrier and was alarmed by how Sandra's vocals were being drowned out by the band. I could hear her, but she sounded unamplified. The festival had been plagued with sound issues over the weekend, especially during the opening songs. I hoped they sorted out the problem quickly when they were playing for real, as it were.
I needn't have worried. Sandra's vocals were powerful and crystal clear. The band were tight, and I adored the music. Big thumbs up.
It nearly never happened, though. British Airways mislaid their equipment. Fortunately, The Almighty stepped in to loan them theirs. This also meant they had no merch to sell either; otherwise, I'd have been tempted to queue for the meet-and-greet. They did promise a UK tour next year, so hopefully they'll come to Scotland.
Nature of the Beast
Thrilled by Rock n Roll
Queen Horizon did nothing for me, so I headed back to the Inferno stage for Tuk Smith & The Restless Hearts. They are a fun American rock band. I quickly warmed to Tuk's humour, promising they did not rip off Thin Lizzy for their song East Side of Town. The band intros brought a laugh too, introducing the guitarist as Keith Richards, the bassist as Ray Davies and the drummer as the bastard son of Freddie Mercury. I'd catch them again in Glasgow if the venue they're playing wasn't the Classic Grand - awful sound in there.
I lasted a couple of bars of Square Wild before bailing to check out the VIP acoustic set of Parker Barrow. They started off great, but I quickly tired of their sound and found a bench to sit on.
Heavy Pettin were big in Scotland in the 80's, until they split, the lead singer moving to the States. They recently reformed, but, again, I found their music didn't grab me. It seemed painfully retro. The singer's "Sheena Easton" Scottish accent sounded so weird when he spoke between numbers.
Silveroller were a revelation. Invoking an early 70's vibe, they powered their way through their high-energy set, winning over the crowd with their songs. They made a big deal of allowing us to be their witnesses as they signed their record deal on stage. The singer reminded me of Rod Stewart back when he was good, but Bob couldn't unsee him as Robin Askwith of the Confessions... series. A band to look out for.
I skipped Hannah Wicklund, waiting at the barrier for my faves, Anchor Lane. Hannah's music took a prog turn when someone pulled out a flute, but she won me back with a cover of Janis Joplin's Take Another Little Piece of My Heart. She lost me again when she overran, with both Anchor Lane and the Firestarter stage announcer annoyed at the delay.
Anchor Lane smashed it. The majority of the crowd had never heard of them before, but were mightily impressed by the end. I was even bouncing about, thoroughly enjoying myself. It's a shame I can't make their date at King Tut's this year as it clashes with Bloody Scotland. AL were my highlight of the weekend.
I was disappointed not to be offered a setlist by the band, having stood at the barrier the longest. Conor gave his to a lady on my far right. Lawrence gave his to a lady on my left. I still got a picture of it, though.
It's the End, My Friend.
The rest of the day didn't excite me much. I've never been much aware of the Wildhearts. Ginger's terminal cancer diagnosis and choice not to have treatment brought out a massive crowd, there to pay tribute to his services to rock music.
Aethoria didn't appeal, nor did The Almighty, even though I'm a fan of Ricky Warwick. Their music was a bit samey for my liking. Chez Kane, headlining her first festival on the Firestarter stage, felt like stepping back in time. Moulding herself on the likes of Pat Benatar and Lee Aaron, her original music is heavily influenced by the 80's sound, with suggestive dance moves and a skimpy costume. Her voice is incredible. Shame there were a few sound issues. I couldn't help but notice a familiar face in the shape of the guitarist from Tyketto. Apparently, Chez Kane is his regular gig. He and the other guitarist enjoyed themselves with their coordinated high kicks. A fun way to finish the day.
Except there was still Uriah Heep. I'd seen them twice recently, so we listened to the first couple of songs before deciding to return to the hotel, aware we had an early departure the next day. With Scott unwell, Bob would have to do all the driving himself. He wasn't looking forward to that.
The Sunday gave me pause to rethink whether I would return. The heat and the smokers had annoyed me, but at its heart, the festival had achieved what it set out to do: present s bands you already love and allow you to discover new faves. Still, I elected not to buy Early Bird tickets and wait for the lineup announcements first.
I may be back.
Velvet Rush
Tuk Smith & The Restless Hearts
Parker Barrow (acoustic)
Silverolller
Hannah Wicklund (full zoom)
Anchor Lane
The Wildhearts
Aethoria
The Almighty
Chez Kane
Uriah Heep
What I liked about the festival:
The location of the VIP area;
the larger, more accessible set up for the acoustic stage;
the ceaseless work of the staff tidying the site;
the Roundhouse - big plus, with food and soft drinks on offer, providing additional seating and shelter from the sun;
the organisation to get us all in, checking tickets and handing out wristbands early.
the fenced corridors creating a pathway away from each arena to stop seats clogging up exits.
What I disliked about the festival:
The lack of a signing area/ merch stand at the Firestarter stage;
the crowd chain-smoking cigarettes
the sound issues, glitching guitars and vocals;
the Thursday Gatecrasher in its current form. It could be tremendous with a change in format - perhaps a curry night before a short acoustic set;
how the seating area proliferated across routes between areas - keep them penned in better;