Wednesday, 14 October 2026

An Evening with President Barack Obama, OVO Hydro, Glasgow. Wednesday 14th October, 2026

A full house welcomed former US President Barack Hussein Obama to the OVO Hydro Glasgow tonight, arriving on stage to a standing ovation. 

After an introductory video of an Obama speech, award-winning British journalist and author Sathnam Sanghera opened by asking whether Barack had sampled any of these fine Scottish delicacies: a square sausage roll, a pizza crunch, or an Irn-Bru. Barack knew the drink well and admitted he liked it. "So there are some orange things you like," quipped Sathnam. The joke got a laugh, as we understood the Trumpian subtext, but in a place like Glasgow, it could have been misconstrued.

Barack discussed how he got involved in politics. His story began at college. Two young men from the African National Congress came to speak, and he was struck by their approach: taking time to talk to individuals and explain their views. They helped him realise that he, too, could make a difference on a social level. So he went back to uni, got his law degree, and realised the biggest changes could be effected from within government, so he ran for office. 

Social media played a big part in him becoming President. MySpace gave him a forum to share his beliefs and intentions, and Meetup helped bring like-minded individuals together to support his campaign. From these small grassroots gatherings, a movement began. He credited one supporter with coming up with the slogan, "Fired Up! Ready To Go!" which carried him into the White House.  

He admits that while he used social media as a force for good, hate groups now use the forum to organise and recruit, made easier by the social media companies themselves, who are driven by commercial motivations. With the rise of AI, finding out what is real and true will only get harder. He believes the world needs global checks on the technology and is working to bring about those changes.  

Now that he has left politics, he remains active beyond the golf course, having set up The Obama Foundation Leaders Program, which operates worldwide and builds young people's communication skills to help them make the world better. He firmly believes 'old men' should step aside and let these young leaders drive change for a better future for everyone, whether it be climate change, world hunger, equality, or fighting for democracy by opposing authoritarianism. He also opened a production company, Higher Ground Productions, because he believes in the power of stories to effect change. 

One of the greatest challenges he faced as President was staying connected to the people, so every night he asked his staffers to include ten letters from members of the public in his briefing pack. They didn't cherry-pick, so he got a broader picture of what was going on. 

He still believes the best tool we have to unite everyone in the fight to save democracy is communication. We have to find common ground and, from there, make changes to move forward. He quoted Daisaku Ikeda, a Japanese Buddhist leader, author, and educator, as saying, "Hope is a decision independent of outcomes, to believe change is possible".  If you act on that basis, things will inevitably get better. He didn't mention Trump or Putin, keeping it general, and warned that this generation has forgotten the lessons of the two World Wars: democracy needs work and cannot be taken for granted. When individuals gain power on the promise to sweep away the old ways but serve only their own interests, we must actively oppose them to remove them, or we are lost.  

I greatly admire how this man is still working as a force for good. He's like Obi-Wan Kenobi, identifying and shaping padawans to fight the evil Empire and oppose the Dark Side. 

He is an inspiring speaker, but I'm glad he only spoke for an hour and twenty minutes. Those Hydro seats are so uncomfortable on your arse. 

Ticket Price (OVO Presale): £120.00 x 2 & Service Fee: £17.45 x 2 & Venue Facility Fee: £3.25 x 2 = £281.40 via Ticketmaster (purchased 29/7/26)

Sunday, 11 October 2026

Fred MacAulay "Good Evening", Paisley Arts Centre. Sunday 11th October, 2026

At the Arts Centre, Fred, the grandfather of Scottish comedy, trotted out some good-humoured observations and stories from his life. The largely older crowd (only one person under forty) lapped it up - I recognised a few Old Grammarians among them. I'd heard some of the jokes before, but as a comedy and broadcasting veteran, he knows how to tell them well. Most of the routines felt like anecdotes ending in a punchline. A few felt dredged up, thrown in to fill time. There was no narrative drive, just opportunities to be funny. 

He name-dropped regularly (Ally McCoist, Sir Chris Hoy, Tom Farmer, Colin McGregor, Ewan's RAF pilot brother, Greg Hemphill, HIGNFY's Ian Hyslop), but that's the circle he moves in, thanks to his broadcasting career. There was nothing overly hilarious, and I smiled more than I laughed. He said he wasn't going to do the Edinburgh Fringe any more, and based on this material, I think that is wise. He works better as a touring comedian, where he can attract his core audience. 

Fred was diagnosed with prostate cancer last year, but it was caught early, so he isn't overly concerned. Prostate Cancer UK volunteers were on hand in the foyer to provide literature and information. They also brought their collection buckets. 

At the end, on a serious note, he asked us to keep going out to support live comedy, as it is increasingly being dropped from our television screens. That's one request I wholeheartedly support (and regularly do). 

Ticket Price: £20 x 2 + booking fee £2.50 = Total £42.50 from OneRen


 

Saturday, 10 October 2026

These Wicked Rivers - "The Big Show", The Octagon Hall, Buxton. Saturday 10th October, 2026

I was excited about this gig for several reasons: a fancy venue, an overnight stay, a new place to explore, great bands, and a chance to hear TWR play songs from their fantastic new album.

The journey down was uneventful, with a mix of rain, blustery wind, and bright sunshine. We stopped at Tebay Services for lunch, choosing the Pie Shop over the cafe options, as the latter was in the middle of switching menus from breakfast to lunch. We sat at a table for six and were joined by two Americans; from the conversation we eavesdropped on, one worked in the music industry. A Google search using the clues he'd provided identified him as Murry Hammond of the 'Old 79's' (they appeared under heavy makeup in alien costumes in the Guardians of the Galaxy Holiday Special singing I Don't Know What Christmas Is (But Christmastime Is Here) ).


Murry Hammond

We stayed at the Palace Hotel & Spa in Buxton, a mere six-minute walk to the gig. By the time we arrived at the hotel, around 3pm, few parking spaces remained, and I was surprised to find they now charged a £5 daily fee to park, even for hotel guests. On the plus side, the reception staff let us check in early without charging us extra. 

Palace Hotel & Spa, Buxton

The hotel looks impressive, but it's over 125 years old, with some signs it needs renovation. For example, one of our bedroom sidelights still used a round pin socket.     

After we found the venue, we took a brief walk around Buxton, then stopped at McDonald's for dinner. They advertised their beef is 100% British and Irish, but I didn't know cows could have dual citizenship.


The VIP entry began at 5.30 pm. We were one of the first in. We got our goodie bags, and I also picked up my pre-ordered event T-shirt. Inside the bag, we found a limited-edition tea set, a signed setlist for the show, a signed art card, a commemorative ticket, and various flyers for upcoming shows. We both bought tote bags to carry the goodie bag in case the paper handles ripped. 

Tea set

Signed A5 poster

Commemorative physical ticket

Unfortunately, not the actual setlist they played 

The foyer had two bars, a merch stall, a beard trimming service and a 'Family Tree' display in the foyer. The main hall felt spacious, though it only held 800. 

Octagon Hall
Family Tree

We got to hear the band do their soundcheck, with lots of "fraction more on John's vocals", "can I get more on the timpani?", and "a bit more on John's mic" until they were happy. Lead singer John had a cold, and we unexpectedly heard through the PA as he blew his nose. A roadie offered him a Jakemans Extra Strength lozenge.

I realised early on that the blue lights would wreak havoc on my photos, my phone camera struggling to adjust (subsequently, I've researched a fix, which I've yet to test).

The view from the barrier.

Afterwards, the band mingled, chatting and posing for photos. We were encouraged to add our names and what the band meant to us on a card for the Family Tree. Josie, the band's manager, pulled the trestle table with the cake celebrating the event in front of it for the cutting.


While others chatted, we made our way to the barrier and took up position off centre. I'd been getting blinded by one of the beams during the soundcheck and wanted to avoid this during the main show. I was feeling quite excited to be so close to the stage.

Hayseed Dixie don't usually play support slots nowadays, but they agreed to do it because of their affection for These Wicked Rivers, who had originally supported them back in the day. I hadn't seen them before, but I knew their schtick. Their hour-long set included the classics Highway to Hell, Breaking the Law, Paranoid and Don't Fear the Reaper, all played in their inimitable style. 
Corn Liquor

Hayseed Dixie



The stage set for a These Wicked Rivers show is always homely: multiple standard lamps with lampshades, buckets of flowers, a tall clock, a globe drinks cabinet, and a hat stand all added to the ambience. Even the pedal units had fabric wrapped around them. 


I knew it would be a waste of effort trying to film the first few songs because the photographers would be in front, snapping away. What I didn't anticipate was how long they would stay, becoming a constant pain, regularly standing in front of me. This went on for three-quarters of the show. Some bright spark had decided to send them in two at a time rather than have a rammy for the opening songs. Bad choice. It really popped my enthusiasm. At times, it felt like the band were only there to accompany the Dance of the Photographers. It really spoiled my enjoyment of the show. I mean, we paid extra to see the band, not to watch them get photographed. I'm still angry about it two days later.










Maybe the photographer was doing me a favour by blocking my view of the stage.

On reflection, I enjoyed the experience overall, but I certainly felt glum for most of the These Wicked Rivers set. I hope my unhappy demeanour is obvious from the footage of the crowd they seemed to be constantly filming. Maybe they'll edit out my ugly mug or use generative AI to put a smile on my face. 

That night, I didn't sleep well; the twin-bed mattress was too hard for my liking. Despite my weariness, we still made it home without incident.  

Setlist
Shine On
The Healing
Horse To Water
Ain't No Smoke
Love To Love
Sing Another Song
Rise
Brother Oh Brother
Better Man
Woodland Queen
Stories
The Family
When the War Is Won
Black Gold
Don't Pray For Me


Early Bird Ticket Price (for 2): £62.64 & £2.32 per ticket & 1 x Order Processing Fee £1.25 = £63.89 from See Tickets 

Celebrate the release of our new album ‘Fire and Folklore’ with us!


Includes:
- Signed A5 show poster and set list
- Limited edition commemorative These Wicked Rivers teapot and mug set (only 100 in existence)
- Soundcheck access
- Photos with the band (on your own phone)
- Cake and hangs with the band (please advise if any allergies)
- Skip the queues for show entry and at merch
- Commemorative physical show ticket (collect at the show)

£60 (Does not include show ticket)








Friday, 9 October 2026

Kris Barras Band UK Tour 2026, The Garage, Glasgow. Friday 9th October, 2026.


Bob drove Alan and me in, and the three of us went to Hengler's Circus for dinner. The place was packed, but eventually, we managed to claim a table. While we dined, Kris Barras and his band came in for some pre-gig refreshments, but we didn't go over to harass them. After this tour went on sale, Kris Barras announced he was quitting the music industry and that this would be his final tour. I don't know whether that helped or hindered sales, but The Garage hadn't sold out, and was maybe slightly more than half full. I appreciated the breathing space after what happened at Magnum the week earlier.


The support act, 10 Years, was unfamiliar to me. I'd spent most of my time beforehand getting to know Kris's back catalogue, as he was an artist I hadn't paid much attention to. We stood in the middle of the room, but their sound quality was poor; the singer's voice was lost beneath the drums and bass. The one number that appealed to me was their cover of Nirvana's Heart-Shaped Box. I already thought they had a grungey, Soundgarden-like sound before they played this.  

The music played between the two bands included Rage Against the Machine, Limp Bizkit, and Papa Roach. This set a heavy tone for what followed.

After Tenacious D's Tribute intro music, Kris and the band took the stage and launched into Who Needs Enemies. The sound was loud, again with the bass and drums drowning out the vocals. After a few songs, we bailed to the back of the room beside the mixing desk, where the sound was, unsurprisingly, better balanced.  

Kris did not seem in the best of moods, playing as if contractually obliged rather than for enjoyment. At one point, a punter asked if he would sing at her wedding. That sent Kris into a tirade. 

"Have you not heard? This is my last tour. I'm done with singing. No, I won't sing at your fucking wedding. Can't think of anything worse."

She shouts something at him.

"I don't know what language you're speaking. No, I won't be your fucking wedding singer." He begins the next song.

Later, he gives an impassioned speech, thanking his fans for supporting him on his journey, allowing him to play his music all around the world. It's rehearsed, but I sense he means it. Listening to him play the blues number Watching Over Me, the first song he ever wrote, I felt he'd lost his way, arriving in heavy rock when his heart should have remained in the blues. Maybe because this was his beginning and now his end, the song carried more emotion. I wish I'd recorded it.  

It wasn't the best gig I've ever been to because of the sound balance issues, but it was still worth it as a night out.

My Parade

Hail Mary

10 Years


Kris Barras




Setlist
Who Needs Enemies
Unbreakable
Dead Horses
Unspoken
Monsters We Made
(Interlude)
Savages
(Interlude)
These Voices
Devis You Know
Watching Over Me
Light It Up
Jamma Lamma Ding Dong (guitarist Danny Dela Cruz jamming with the band, minus Kris)
Beautiful Lie
Riot of One
(Interlude)
My Parade

Encore 
Hail Mary  

Setlist from the sound desk

Ticket Price: £28 via Ticketmaster