Tuesday, 27 June 2023

Guns N Roses, Bellahouston Park, Glasgow. Tuesday 27th June, 2023


I've never left a gig feeling so angry. I had a migraine, stank of cigarette smoke and was seething at my Golden Circle experience.

The omens in hindsight were unmistakable...

The first sign was the weather forecast: rain (though that didn't spoil the night).
 
The traffic on the way was awful. We were delayed by a police incident near the Hurlet (a car had lost control and crashed into the trees), and then we were further slowed by a broken-down bus at the lights on Crookston Road. Paisley Road West was down to a crawl too so I ended up grabbing the first space I could find on one of the side streets in Cardonald. I thought Bellahouston Park was closer, not a forty-minute walk away.  

We passed over a hundred other free parking spots closer to the venue. With every new space, my irritation grew, turning as dark as the clouds. 

We hadn't had dinner so paid the extortionate prices for two chicken burgers, a coffee and a bottle of water (£25). Gourmet it was not. At Hyde Park, they at least buttered the rolls. They didn't just shove the pre-heated burger between two dry roll halves and point to the rack of sauces. It felt like I was the victim of an Apprentice profit task.

We did arrive on time to see The Pretenders set. The longer they played, the less excited I became. By the end, I was truly bored. I even volunteered to do a drink run during their set, figuring listening to the performance was sufficient. It was a huge stage and they looked like a tiny band, with their static backdrop. Chrissie Hynde may be a cool, bonafide rocker who has served her time and earned her respect but I wouldn't rush back to one of her shows. I was so unengaged with the music, I began to wonder if the knee-length boots she was wearing were actually rock-chick support stockings. That's not a thought one should have during a gig. Totally disrespectful.

 
During their set, a tall bloke with short brown hair, a beard and a drunken frown appeared on the scene, searching for his mates. Unable to see them, he stopped directly in front of a small chap who was videoing the band on his phone, totally blocking the camera. And he didn't care. No apology.
  
We moved further back, sensing trouble. Unfortunately, we didn't move far enough for he was not the only arsehole about. A tall guy with a crescent scar across his cheekbone plus another bearded man with a punchdrunk face and a twisted, broken nose were also present, along with their shorter skinhead ghoul of a mate. They bevvied, chain-smoked and antagonised each other, slapping each other from behind on the face for a laugh, shouting sweary heckles at the band while downing pint after pint after pint, all in good fun. They wanted to extend their boisterous spirit to all around them and attracted more of their ilk until we had a chimney flume of smoke belching constantly from the newly-formed gang. I couldn't relax, keeping one eye on them in case their fun tripped over into violence, all the while slowly choking on the acrid smoke. There was nowhere obvious to move to, the place now rammed with bodies. My temper simmered, resulting in a migraine.

Mid-gig, small women would push in, claim the space then be joined by their giant boyfriends. This happened twice, made all the more annoying by the BFs perfect hair. Not even a sign of male-pattern baldness. My chance of taking good photos grew slim as the gig continued, with more and more shots being ruined by arms and heads.  

The tall bloke with the frown kept turning around, standing with his back to the stage, legs wide apart, arms aloft in a celebratory pose as if accepting the crowd's adulation for himself. Then he'd turn back and slump over his pals' shoulders and shout in their faces. Then he'd prowl, pushing past people, eyes fixed on a particular person he had to go to talk to. You didn't want to make eye contact with him, just in case he engaged with you or turned nasty. Then he'd disappear for a while and you'd relax, only for him to return with more beer and more inebriation. If ever I wanted someone to be killed by a movie-like strike of lightning, it was him.     

My annoyance at this gig was not helped by the state of Axl's voice, unable to reach the higher registers of the early songs; his irritating, frequent runs to his tent to change his T-shirt; the total lack of apparent chemistry between him and the rest of the band (the phrase "contractual obligation" sprang to mind, although I can't complain about how well they played). These were Guns N Roses. They should be immense, not an endurance test, although, with a setlist lasting three hours, I should have known this already. 

I know my experience is in the minority. Most people I've spoken to who were there enjoyed the show much more than I did. One Polish girl took great delight in telling me how she'd had a brilliant night with her towel and a £7 bottle of wine watching it for free from the hill overlooking the venue. 

I suppose I was warned. They did write a song called "Welcome to The Jungle." I just didn't expect it to be in the Golden Circle. 
 
Ticket Price: £140.70 (Golden Circle) from Ticketmaster. (A fool and his money, and all that)
 
Setlist
It's So Easy
Bad Obsession
Chinese Democracy
Slither (Velvet Revolver cover)
Pretty Tied Up
Welcome to the Jungle (Link Wray's "Rumble" intro)
Mr. Brownstone
Hard Skool
Double Talkin' Jive
Estranged
Absurd
Live and Let Die (Wings cover)
You Could Be Mine
Down on the Farm (UK Subs cover)
Reckless Life
Rocket Queen
Shadow of Your Love
T.V. Eye (The Stooges cover) (Duff on lead vocals)
Anything Goes
Civil War (Jimi Hendrix's "Voodoo Child" outro, followed by band introductions)
Slash Guitar Solo
Sweet Child o' Mine
November Rain
Wichita Lineman (Jimmy Webb cover)
Walk All Over You (AC/DC cover)
Knockin' on Heaven's Door (Bob Dylan cover)
Nightrain

Encore:
Street of Dreams (The Impressions' "People Get Ready" intro)
Patience
Paradise City























Welcome to Axl's tent, baby.



Crappy computer graphics



Can you tell which one was the arsehole?


Their budget didn't stretch to actual pyros or lasers
or fireworks, just a massive screen and a stage so wide,
they didn't need to get too close to one another

Thank God that's over. Let's get the hell outta here.

Monday, 26 June 2023

Iron Maiden, The Future Past Tour 2023. OVO Hydro, Glasgow. Monday 26th June, 2023.


Iron Maiden -
 the very first band I saw live on their 'World Piece Tour', back in 1983, at the Glasgow Apollo. As such, they hold a special place in my heart. I saw them again on the next two tours: the Egyptian-themed 'World Slavery Tour', again at the Apollo, and the Cyber-styled 'Somewhere on Tour' at the Edinburgh Playhouse. Then my interest dropped off. Other bands to see, other music to listen to. I returned for their 'Final Frontier' World tour in 2011 but wasn't impressed. I had moved on but they hadn't. 

Their latest album, Senjutsu, was a return to form. The tour promised a mash-up of that album and the Somewhere in Time album so my interest was piqued but not enough initially to buy a ticket when they first went on sale. The gig sold out fast so I put the thought behind me. 

Then, a week or so before the gig, I noticed Ticketmaster had a ticket for sale on level 2 in the centre. I snapped it up and my excitement started to build. Would they be better than last time? Would the staging be more modern, rather than using old-school curtain backdrops that the roadies pulled across between songs? How big would Eddie, their mascot, be this time?

Before these questions could be answered, I had to sit through the support act, Lord of the Lost (although their logo could also be misinterpreted as 'Load of the Lost'). They were okay, a bit like a little cousin to Rammstein, playing earnest European metal, the lead singer mauling English vowels with his thick German accent. I was impressed that Iron Maiden allowed them such a huge backdrop. Respect!


Then I caught up with someone I hadn't seen since our school days. David Ropper had also been at that first Maiden gig and we reminisced about the old days and the time between then and now. It was good of him to reach out as my shyness usually wins out in these types of social situations.

Then I waited for the mighty Maiden. UFO's classic Doctor, Doctor was a great intro to warm us up, then came the Blade Runner end title music to set the futuristic tone before the band burst onto the stage with the song Caught Somewhere in Time

This was classic Maiden. I wasn't disappointed. The setlist was a good mix of old and new,. The staging felt grander than last time (albeit still using curtain backdrops but this time with bordering video screens). The music was powerful without being overpowering. Bruce's vocals were good, the new tunes more suited to his range these days, some lengthy guitar breaks giving him the chance to rest his voice. When he called for the audience to wave their arms, they all complied, resembling a field of corn, arms swaying from side to side. I was glad I wasn't among them. The standing area was packed and I'm getting too old for all that jostling. I was happy with my view from level 2 seating, thank you very much.

I'll admit they're still a band caught in time, that time being the '80s, but at least it's from when they were at their peak. They might have aged but they remain timeless. Up the Irons!

Ticket price: £83.15 (£70 plus fees) from Ticketmaster.

Setlist
Intro music - Doctor Doctor (UFO song 
Intro Music - Blade Runner (End Titles) (Vangelis song)
Caught Somewhere in Time

Stranger in a Strange Land

The Writing on the Wall

'Days of Future Past' & 'The Time Machine'

The Prisoner

Death of the Celts

Can I Play With Madness

Heaven Can Wait

Alexander the Great

Fear of the Dark

Iron Maiden

Iron Maiden, with extra Eddie

Encore:
Hell on Earth

Hell on Earth, with added fire

The Trooper

Wasted Years