Showing posts with label City Halls. Show all posts
Showing posts with label City Halls. Show all posts

Sunday, 19 April 2026

Lucy Darling: Simply Darling - City Halls Grand Hall, Glasgow. Sunday 19th April, 2026


Traffic chaos on Glasgow's High Street, with several surrounding roads closed, meant performing a U-turn and trying to find another way in. We eventually parked on Montrose Street, then walked down the steep hill to the City Halls. 

When we arrived, lots of weirdos were smoking outside the venue. They had weird haircuts in weird colours and wore weird clothes. Surely they weren't here for Lucy? Was there some weird act next door at The Old Fruitmarket? 

No, they were here for Lucy. She describes her typical demographic as polyamorous D&D players, which gives you some vague idea about those present. 

Inside, we find our seats and swelter. Initially, I think I have a fever and dread the return of Covid, but then I overhear the ladies behind me complain about how hot it is. Elsewhere, people are using their tickets as fans. 

Keekaboo




I'm surprised to see Robert White as Lucy's Musical Accompaniment for the tour. I've witnessed him before. He's an odd fellow, but can be funny. His role is minor, though. Lucy is the star. She uses him to segue between sections of the show. 

My second surprise is in discovering that this really isn't a magic show. It's so light on Magic, it should be called a crowd-work show. Thankfully, we are in row S, well away from Lucy's prying.

The sound in the room isn't great, so I'm grateful for the captions on the giant screen behind her. The AI producing the subtitles occasionally misunderstands what was said, making some doozy mistakes, mishearing 'sheath' for 'sheep' in relation to the adjective 'penile'.  

Tonight, Lucy struck gold in selecting Mark in the front row as her main stooge. His banter and performance stole the show. From the vague job title he couldn't talk about to his golf habit, and his wife of thirty years not caring how much he flirted with Stephen, the stranger on his left, the laughs kept coming.  

Jenny, her other stooge, was an unhappy radiographer whose most unusual object she discovered during an X-ray was a deodorant spray bottle. She also mentioned finding dominoes up someone, too.

Lucy asked whether she meant the Pizza or the game. When told 'the game', Lucy replied, "Did the rest tumble out after the first?" She is exceedingly quick-witted.

She got Mark and Jenny to act out a play for her, rewarding them with the first magic trick of the night, pouring each of them a different, randomly selected cocktail from a single cocktail shaker. That old chestnut. 

Stephen, the camp gentleman on Mark's left side, was selected to pick up Lucy's handkerchief (catchphrase: "Oh, no"). He also got a kiss from Lucy's camp cameraman, much to Mark's fake outrage.


After the interval, those in the audience who could stand performed Lucy's dance, which was filmed for later posting on social media. I didn't participate. Lucy also answered the audience's questions, picking a few at random from a jar, before answering her three favourites. The girls behind me wanted to know how she would deal with an arsehole neighbour, but she didn't answer that one.

A trick with dice leading to selecting a particular animated star on the screen seemed weak, despite the overblown storytelling around it. Maybe I'm a little jaded when it comes to these outcome tricks. 

Robert White did get to show off his schtick for improvising funny songs to summarise how the performance had gone, incorporating specific elements such as the penile sheath reference. I loved the bit when he appeared to be playing the piano and walked away, only for the music to continue.  


Would I do it again? Yes, probably. As a comedy show, she is funny, but I would have preferred a little more magic.

Ticket Price (for two) : £95.00 & Facility Fee £3.00 & Service Charge £12.20 & Transaction Fee £2.50 = Total: £112.70 from AXS



Tuesday, 7 May 2024

Kelly Jones, 'Inevitable Incredible', City Halls, Glasgow. 8.30 pm show, Tuesday 7th May, 2024


I nearly confused Glasgow's City Halls with the City's Trade Halls. Fortunately, my wife knew where we were going. We pre-booked dinner at Koolba in Candleriggs overlooking the venue. After a delicious (but not cheap) meal, we joined the queue, which, by the time the doors opened, had stretched the length of the road, then around the corner and folded a couple of times inside the nearby open-air car park.

The sound of waves rolling across a sea played in the room as we waited. We had superb seats in the middle of the second row of the stalls. I have to admit I was gutted that cameras were prohibited during the performance, as my view was fantastic. There was one empty seat in front of me on the front row. A woman clutching a grey polythene bag spoke to the gentlemen to its left, then sat down. I overheard her confess to the lady on the right that her actual seat was at the back. Total chancer! I think she really loved Kelly, though, the way she swooned to the music throughout.
  
Kelly wanted it to be an intimate, relaxed show and for everyone to be present. Joining him on stage were three violinists, one cellist, Richard from Stereophonics on bass, a keyboardist, and a drummer, who also played the slide guitar. To be honest, everyone chipped in depending on what was needed, switching instruments as necessary, with even one of the road crew members playing the organ at one point and another on the tambourine. 

Kelly was in a wry mood at the piano as he explained how the album came about. He had been telling bedtime stories to his youngest son, and afterwards, the music came to him. He recorded it quickly to capture its spiritual essence in a studio on an island in Norway, just him, an engineer and music techie. He also explained he'd wandered around our fair city that afternoon. Bought a pair of Doc Martens. Then he quipped, "Probably take them back tomorrow". 

The lighting was subtle and subdued during the first section. The crowd remained quiet, respectful and appreciative. However, during the encore, as the lights grew brighter, illuminating the hall, some punters took this as an opportunity to shout out whenever the music quietened. Others fingerwhistled. I strongly suspect alcohol was involved in their enjoyment. Fortunately, none were so close as to upset me.

Kelly performed the second encore on his own, just him and a guitar. Playing a medley of Stereophonics hits, the crowd danced, sang, and took pictures. I snapped a few myself while remaining seated (my back is still not right).

It may only have lasted an hour and twenty minutes, but it was incredible.   

Setlist:
Inevitable Incredible
Turn Bad To Good
Time’s Running Away
Echowrecked
Sometimes You Fly Like The Wind
Monsters In The House
May I Come Home From My War
The Beast Will Be What The Beast Will Be

Encore:
Restless Mind (Stereophonics song) (Kelly on harmonica)
Boy on a Bike (Stereophonics song)
Fly Like an Eagle (Stereophonics song)
This Life Ain't Easy (But It's the One That We All Got) (Stereophonics song)
Make Friends With the Morning (Stereophonics song)

Encore 2:
Medley of Stereophonics hits (Kelly solo on electric guitar) 


Out of shot: Violin stands to the left,
drumkit and slide guitar to the right

The lucky lady on the right
bagged the stage setlist after the show

The bag they gave us to seal away our phones - unused.
Setlist:
Inevitable Incredible
Turn Bad To Good
Time’s Running Away
Echowrecked
Sometimes You Fly Like The Wind
Monsters In The House
May I Come Home From My War
The Beast Will Be What The Beast Will Be

Encore:
Restless Mind (Stereophonics song) (Kelly on harmonica)
Boy on a Bike (Stereophonics song)
Fly Like an Eagle (Stereophonics song)
This Life Ain't Easy (But It's the One That We All Got) (Stereophonics song)
Make Friends With the Morning (Stereophonics song)

Encore 2:
Dakota/ (Others)/ Maybe Tomorrow (Stereophonics songs)

Ticket Price: £60.50


 Blurb

Kelly Jones (9pm)

Doors: 8.30pm

Stereophonics frontman Kelly Jones will perform two, hour-long intimate concerts at City Halls on Tuesday, 7 May 2024.

This page is for the performance at 9pm. Kelly will also perform at 7pm

These stripped-back performances are in support of his new solo album, Inevitable Incredible.

‘Inevitable Incredible’ sees Kelly writing primarily on the piano for the first time between October and December of 2022. After three months of wrestling haunting melodies from his piano and writing emotional, soul searching and always brutally honest lyrics into his notebook, Kelly found himself with an album’s worth of material. Material he never set out to create, but knew he needed to see through to completion, and complete quickly to capture the raw essence of what he’d created. He disembarked to the beautiful, secluded expanses of Ocean Sound studio in Norway, tucked away on a tiny remote island in the North Sea. With just his studio engineer and backline technician with him, the stunning stillness of the surroundings and vast expanses of wilderness, informed a six-day recording session that perfectly captured the emotional depths and soul searching that was born from those late-night piano sessions.

Over its eight songs, ‘Inevitable Incredible’ takes the listener on an engrossing journey that gives an intimate insight into an artist who is not content to rest on his laurels. 

Speaking of ‘Inevitable Incredible’ Jones says: ‘The remote surroundings of the island studio allowed the songs to come to life and breathe, no distractions, it was such a new experience. There were no expectations for how the songs should sound. Just let the emotion and vulnerability I put into writing those songs come to life. The weather could change in a minute and there was little to no contact with the outside world. All this influenced how the songs came to be. It was a truly cathartic experience. I feel like I left it all out there on these songs.’

Please note mobile phone use will be restricted in the performance area of the venue.