Showing posts with label Glasgow Barrowland. Show all posts
Showing posts with label Glasgow Barrowland. Show all posts

Wednesday, 24 September 2025

BBC NEW COMEDY AWARDS - Glasgow Barrowlands. Wednesday 24th September, 2025


A Facebook advert alerted me to this free BBC show, with tickets available via Eventbrite, rather than the BBC's official website. It wasn't even a lottery for tickets. You registered and ordered the number you wanted. This still didn't guarantee entry, however. 

Last year, I attended the Scottish heat in Paisley Town Hall. They obviously wanted to go bigger this year, so they had booked the Barrowland. I imagined a packed, standing crowd of 1,900 comedy fans. The big time.  

Bob (now forever known as The Bad Man) and I arrived early, long before the shutters had even been raised. I chatted to the bouncer, trying to establish the layout for the gig. He informed me they were not using the main stage but had erected a purpose-built platform and laid out tables and chairs. So not standing, then.

When we got in, we had to wait to be shown to our seats. The Bad Man allowed us to be seated at the front, much to my consternation. I warned him that he was taking any flak from the comedians, not me.

This is how close we are to the stage!

Gareth Mutch was on warm-up duties again. He didn't pick on us, fortunately, and was a tad better than last year. One heckler threatened to stab him up the arse, an act never intended to involve a knife, which led to some confusion. We never got to the bottom of it (boom, boom). You've got to love Glasgow's East End.

Christopher Macarthur-Boyd hosted and was a revelation. Boy, has he grown up. I don't mean physically. He still looks like he buys his shoes from the kids' section in Clarks, but his style, delivery and demeanour have matured into those of a fine comedian.   

The judges were Daniel Foxx and Susie McCabe, with Fatiha El-Ghorri as head judge. Christopher made reference to Daniel's bright ORANGE trainers and BLUE notebook, suggesting that Daniel might have missed the memo about the event's location. The banter between Christopher and the judges had to be redone as a pick-up at the end, much to Fatiha's mock annoyance, bruv.

The five acts were all different: Ayo Adenekan, a tall, black, bisexual man from Edinburgh, did the same act that he performed at the GICF Gala last year. Forgive me, but I can't remember the other acts' names. One was a gay dude from Castlemilk (his material was great, including one gag about his junkie parents being drug-free for over six years now, may they rest in peace). The female comic was high-energy, with a touch of Catherine Tate and Harry Hill about her. This was when my nightmare began. Her eyes were drawn to me during a bit about the size of her breasts. I was picked on to maintain eye contact while she discussed what happens to them when she lies down, expressing in glorious detail how she needs to scoop them up when they splay across her front. I felt my face glowing red. 

The second-to-last act was a low-energy oddball, who made long grrrr noises as a run-up to his next line. He had to repeat some of his routine in the pickups, which he found awkward as they'd taken away his Terry Nutkins photo, presumably because they didn't have permission to use it.

And finally, on came the musical act with his guitar, after a false start because the instrument wasn't properly miked. On take two, he draws me into his conversation, asking what I had dreamed of becoming as a child, and then whether that dream came true. Cue a song, not involving anything I had said. Later, he asked what my name was and what I found most attractive about him. Cue awkward moment when my mind went blank. I stuttered, "Your height?" to which he took mock offence, before singing a song about his attractiveness, incorporating my suggestion dismissively.

During the interval, when the judges went off to deliberate their choice, two BBC officials descended on our table, presenting me with a release contract giving them permission to use me in the programme. Bad Man found this hilarious. 

I filled it in, signed it, and then stewed over all the better replies I could have given.  I was also approached by a comedy fan who tried to persuade me to attend a show at Oran Mor, handing me a flyer, suggesting that the ticket price could be reduced by using his name as a discount code. He was from Paisley too, but seemed out of his depth when I started discussing the Edinburgh Fringe shows I'd enjoyed. Strike one for comedy nerddom. 

After the interval, the judges announced the winner, not surprisingly, selecting Ayo Adenekan. He was the one I would have picked, too.

Then, there were the pickups, with Gareth having to remind the audience not to leave their seats, as the show was not yet finished. We got away just after 9pm. 

I still felt harried on the drive home, realising my ugly mug will end up on the iPlayer later this year. The BBC must have needed to tick off a few diversity boxes, such as old, straight, bald, fat, white and male. We're an underrepresented minority these days. 

Ticket Price: Free.






Monday, 3 March 2025

Jack White, The No Name Tour, Barrowland, Glasgow. Monday 3rd March 2025


This one was a bit of a change for me. I bought the ticket in the off chance one of my colleagues missed out, but then discovered he already had one. Rather than sell it, I thought I'd go along and see what all the fuss is about.

And boy was I not disappointed!

Nineteen hundred punters turned up at the Barrowland to worship at the altar of Jack White, and it was incredible. I've never heard the crowd roar so loud. I've also, as an aging rocker, never seen such an energetic, youthful crowd with so much hair. We were standing near the disco ball (about half way back) and a spontaneous moshpit opened up beside us. Fortunately, it quickly migrated forward to join the others bouncing about at the front.  

On stage, Jack never slowed down. He constantly glided about, tearing out chords on various guitars. His eagle-eyed band watched his every step, ready to follow his lead. His riffs were pulsating, like a heartbeat controlling the room. His influences are wide, so one minute, he might trade on the heavy sounds of Rage Against the Machine or Black Sabbath, the next, the blues-infused tones of Gary Moore, and the rest of the time, whipping up the crowd with punk rock energy, his strangled vocals backed by nearly two thousand voices.  

My view of the stage was not so good. Whenever I thought my sightline was improving, someone else would move across to obscure my view, so my photos are out of focus and rubbish. The only video I took (of Seven Nation Army) became one of the people in front instead of the artist on stage. In a way though, it's an accurate reflection of my night. 

I should mention the support act, which was quirky in a REM/Elvis Costello/B52s/They Might Be Giants kind of way. They played indie pop with an American vibe, although lead singer Stevie was definitely Scottish. I wasn't sure quite what to make of them.   

I write this the following morning, tired, with ears ringing. It was worth it though. 

Setlist 
Intro Jam
Old Scratch Blues
That's How I'm Feeling
Black Math (The White Stripes song)
Summertime Blues (Eddie Cochran cover) (Snippet)
It's Rough on Rats (If You're Asking)
Hotel Yorba (The White Stripes song)
Carolina Drama (The Raconteurs song)
Freedom at 21
Hypnotize (The White Stripes song)
Broken Boy Soldier (The Raconteurs song)
Why Walk a Dog?
Cannon (The White Stripes song)
Lazaretto

Encore:
Encore Jam
Icky Thump (The White Stripes song)
I Think I Smell a Rat (The White Stripes song)
Archbishop Harold Holmes
Steady, as She Goes (The Raconteurs song)
Seven Nation Army (The White Stripes song)

Ticket Price 
1 x General Admission - Promoter Presale £61.87 (Inc booking fee £6.87)
1 x Order Processing Fee £1.25
Total £63.12 from SEE tickets.

Stevie Jackson and the Reverberations








Monday, 21 November 2022

Saxon, "Seize The Day" World Tour, Glasgow Barrowlands. Monday 21st November, 2022


This gig was rescheduled more times than we've had prime ministers this year. Originally due to take place in 2019 at the Braehead Arena, celebrating Saxon's forty years in the business, with Black Star Riders and Girlschool in support, it got postponed to allow time for lead singer, Biff Byford, to recover from triple-bypass heart surgery. A new date was arranged for March 2020, now at the Barrowlands but without BSR. That date got moved to 2021 because of Covid and then moved again to 2022. Two albums later, it's still at the Barrowland but now has Machine Head as special guests. At least it gave them long enough to sell out the venue.




I first saw Saxon in 1984 on their Crusader tour (for the princely sum of £4.50 - no booking fees back then). It was my second-ever gig and they were amazing with their massive castle set filling the Glasgow Apollo stage. Biff Byford, a proud Englishman, was funny, teasing the Scottish crowd to be better than his countryman in raising the roof. We were so good we almost demolished the place.

The next time I saw them was in '86 at the Edinburgh Playhouse, with Loudness in support. That gig was a joke of almost Spinal Tap proportions - the lights went down and Saxon didn't appear for ages. When they did, the front smoke booms fired too early and had cleared by the time the band rushed on stage making them look like they were running late for school. Biff's vocals were strained and, by then, they were chasing the American dream so their new material was aimed at cracking that market. The power and the glory was lost. 

While other bands of the New Wave of British Heavy Metal continued to play large arenas, Saxon faded, unable to keep up with the times. However, lately, their career took a massive upswing thanks to a couple of decent, well-received albums. They've been selling out bigger venues again and their dignity has returned. 

It felt like old times heading along to the Barrowlands. Many of the punters wore denim jackets, proudly displaying their heavy metal band patches on the back. With shoulder-length hair, you couldn't tell their age until they turned around. To misquote Aerosmith, Dude looks like a grandpa.

Inside, the venue was already rammed, despite it being a good forty minutes before the special guests, Diamond Head, were due on (at 8 pm). The crowd was mainly male and older so perhaps that explained why it felt so busy. Men of my age tend to be on the larger side. However, youth was still well represented. They were just further forward. 

I found a spot with a good view behind a few ladies who were shorter than me and waited for my pals to arrive. At 7.45 pm, the lights went down with still no sign of my friends.  

Diamond Head were better than I expected. The singer's vocals were powerful, as was his presence, and they sounded great, far better than most Special Guests. I even knew two of their songs: In the Heat of the Night and Am I Evil? A superior support act I'd say. I did find it amusing how the bald lead singer would try to chinbang with his ginger beard. I suppose it was a statement gesture.

During the break, my pals found me, including one superfan from Dunbar who'd taken Bob's spare ticket after Doug dropped out. The big punters also started to push their way in, including two tall blokes with a pint in each hand who stood in front of us, while we had our backs turned. Nothing you can do though except wait for the band to come on and hope they move.  

Saxon were loud and noisy, sometimes to the detriment of the tune. Biff Byford still has a striking presence, albeit a more portly, jowly one and his vocals often rely on after-effects to carry the sound. At seventy-one, you can forgive him this though. He still has that twinkle of humour behind his eyes and isn't afraid to laugh at himself for not remembering it was a Monday, not Friday. At least he knew he was in Glasgow. I wasn't sure why he kept touching his crotch though. Maybe his prostate was playing up.

They played a good mix of old and new songs and I particularly enjoyed The Power and the Glory and Dallas 1pm. I don't think they were as good as when I first saw them but they put on a good show for us. I think the stage was a little smaller than they were used to but it was nice to see the eagle emblems on the Marshall speakers even if we couldn't get the massive eagle lighting rig of their shows of yore. 

During the set, another two tall punters, a man and a girl, forced their way forward, leading the way through the crowd with their pints. By then, the two tall blokes were now on our right, having edged over. The new pair pushed past them and stopped directly in front. Words were exchanged, one tall bloke unhappy at someone even taller blocking his view. His pal abandoned him to get more alcohol. It turned out he needn't have bothered. The argument escalated and the one who remained ended up with half a pint chucked over his face, the tall girl having had enough of his jostling. Bob and I couldn't help but chuckle. The tall bloke was fuming but impotent to respond. It was the funniest thing I'd seen in ages. The tall couple left shortly afterwards, probably because she needed to replace her drink.

Ticket price: £30 (plus bf). 

Setlist  
Motorcycle Man
Carpe Diem (Seize the Day)
Wheels of Steel
Age of Steam
Heavy Metal Thunder
Razamanaz (Nazareth cover)
Strong Arm of the Law
Dogs of War / Solid Ball of Rock
The Eagle Has Landed
Never Surrender
Dallas 1 PM
Black Is the Night
20,000 Ft
And the Bands Played On
Power and the Glory
747 (Strangers in the Night)

Encore:
The Pilgrimage
Denim and Leather

Encore 2:
Princess of the Night  




















Wednesday, 6 October 2021

Manic Street Preachers, "The Ultra Vivid Lament Tour", Glasgow Barrowland. Tues 5th October, 2021


On the day I received my flu shot and second Covid booster (one in each arm), I ventured out to Glasgow armed with my vaccine passport, mask and tickets for only my second gig in eighteen months (and this one was standing). Was I going to be gig fit and last the night?

Arriving after 7.30 pm (doors open 7 pm), we got straight through security with minimum fuss (a couple of questions re covid symptoms and a temperature check). We weren't even frisked. The dancehall was empty bar the hardcore at the front and a smattering of fans at the fringes. We settled on a spot in the middle rear part of the hall, further back than the disco ball,which hangs from the centre of the ceiling.

The support act was not The Ancores as advertised (not that I would have recognised them anyway) but a band from Hull called Low Hummer. The girl singer was in a bright red Cheongsam while the other singing bloke looked like a newly-qualified social studies teacher in his beige long-sleeved t-shirt, hands in his trouser pockets as he walked around the stage. 

Low Hummer
They play what I would describe as a retro, post-punk indie with a heavy drum beat and vocals that are as often spoken as sung. And I liked them (enough to do an internet search to check out who they were based on the few song titles I could make out). The keyboard player was so gorgeous I had to keep reminding myself I was old enough to be her dad and she would have an accent like comedian Lucy Beaumont. 

Elegant and cool!

I listened to their newly released debut album, "Modern Tricks For Living" on Amazon Music afterwards and was surprised by how 80's synth-heavy it was. This aspect wasn't apparent on the night.

The Manics opened with Motorcycle Emptiness and the Glasgow crowd came alive, taking over the vocals for the chorus. James Dean Bradfield commented afterwards in his inimitable Wesh accent, "Well, you turned up, didn't you!" Over the course of one hundred minutes, they performed a variety of old and new songs. One nice touch was when they played a few bars of Into the Valley by The Skids before going into a cover of GnR's Sweet Child O Mine. They've been varying the intro across the tour so the Scottish flavour was apt for the Glasgow show. 

The crowd was packed, with latecomers pushing their way towards the middle. Somehow I always manage to end up in a section of the crowd that forms a corridor to the bar with traffic moving in both directions. Two assholes clutching pints decided to stop right in front of me. To add insult to injury, the bald one turned around, saw my annoyance and had the balls to say "Look mate, we're not pushing in. We've been standing here all night. We just both went for a pint," then turned around again and chuckled to his mate. Believing that to be a lie, my impotent rage went into overdrive. I began to imagine drawing a garrotte from my belt and slicing his neck till the blood poured down his shirt like a waterfall. Whenever he sucked on his vape, I wanted to shove his head forward so hard he smashed his teeth against it and choked on it as it got wedged down his throat. His bearded pal deserved to get his pint sprinkled with powdered dog training treats but my supply had been emptied prior to departure in case the staff thought I was carrying Scooby snacks. Obviously, this was all in my head and I did nothing but fume and clap uncomfortably loudly close to the bald guy's head at the end of each song. 

The Manics gave a great performance and the audience loved them, As did I. My only minor gripe was with the lighting which was regularly blinding and a bit unimaginative. I suspect it was designed for a venue with a higher ceiling. But that's rock n roll for you.

I kept my mask on for the entire show (I was very much in the minority there) but still managed to sing along despite my tickly upper lip. The next morning, I was rewarded with a croaky, deep voice, which attests it was a great night out.     

Setlist
Motorcycle Emptiness
Orwellian
Your Love Alone Is Not Enough
The Secret He Had Missed
You Stole the Sun From My Heart
Little Baby Nothing
Still Snowing in Sapporo
Everything Must Go
Complicated Illusions
International Blue
If You Tolerate This Your Children Will Be Next
From Despair to Where (Acoustic)
Into the Valley (The Skids - Intro only)
Sweet Child o' Mine (Guns N’ Roses cover)
Tsunami
Afterending
Slash 'n' Burn
Spectators of Suicide
Ocean Spray
You Love Us
A Design for Life
















Addendum: Having looked through my photos of the night, I have subsequently discovered those two chaps were indeed in front of me on the other side of the traffic corridor. 

Addendum two: in today's PDE there is a report that a student has been convicted of assault to severe injury for shoving a man in a takeaway. The student was verbally provoked by the aggressive drunk but still got fined £625 because there was no excuse for his behaviour. 
A timely reminder of the consequences of violence. It's never worth it.