Showing posts with label Susie Mccabe. Show all posts
Showing posts with label Susie Mccabe. Show all posts

Sunday, 29 March 2026

GICF Comedy Gala 2026, King's Theatre, Glasgow. Sunday 29th March, 2026


This was my third consecutive GICF Gala in a row, and it had probably the strongest line-up so far. 

As we were also seeing Alan Davies later on, we decided to make a day of it. We put the dogs into the kennels and arranged to have lunch with Colette and her hubby at The Griffen before the show. Graeme brought the car, not realising that on-street parking is no longer free on a Sunday, and ended up parking quite a distance away, on the other side of Charing Cross. He'll not do that again (they got soaked in the rain on the walk back after the show).

The lunch was good. We pencilled in doing it again next year.

The view from our seats.

The Gala opened with Almost Angelic, the musical double act of Karen Dunbar and Tom Urie, kicking the show off in absurd style. Afterwards, a stagehand pushed the platform, upon which Tom sat with his keyboard, across the stage the long way, much to Karen's mock despair. They'll be supporting Marti Pellow at the Bandstand in August.

Susie McCabe, as MC, wasted no time bringing on the first act, Des Clarke. My wife and I had heard his jokes just a few days ago, including one which I repeated at lunch, but they were still funny. 

Next up was Susan Riddell, using PowerPoint to illustrate the material relating to her arrest for (alleged) "Terrorism and Malicious Mischief". She's barred from Edinburgh because of this as part of her bail conditions and has to accept a 7 pm curfew. I'd love to hear the full story sometime.

Fred MacAulay referenced one of Susan's jokes at the start of his five minutes. A veteran of the circuit, Fred gave a quality set. I'm looking forward to seeing him on tour later in the year (though I'll probably skip his show with Ally McCoist at the Armadillo at those ticket prices).

Amanda Dwyer gave a funny but low-energy set, winning over the audience.

Likewise, the relatively unknown Ifrah Qureshi gave a fine set, demonstrating a good eye for comedy, especially at her family's expense.

Connor Burns closed the first half, giving a performance that ably demonstrated why he sold out five shows at the King's this festival. He is a comedy superstar in the making.


After the break, Susie gave us five minutes on why her life has been a struggle of late, with a heart attack being the least of her worries.  

Then, Karen Dunbar returned for a routine about when she and her sister (God rest her soul) went to the social club and got hammered on the new beverage, White Lightning.            

Another newcomer, Jack Brookmyre, looked uncomfortable in his sleeveless denim jacket patched with heavy metal band logos, but gave a confident performance. His voice work is great, especially his Gollum. One to look out for.

Stuart Mitchell's star is in the ascendant. He's always reliable for a laugh and today was no exception.

Mhairi Black was a more left-field choice, but she showed that her transition from politics to stand-up has gone well. She has always been a great speaker and knows how to be funny.

Rosco McClelland closed the stand-up element of the Gala, confident enough to throw in some new material which didn't hit the mark. 

After this, the Festival Director, Krista MacDonald, gave an impassioned speech about celebrating Scottish comedy, a flourishing circuit despite the lack of financial support it receives as an art form. She introduced a video highlighting each nominee for the Billy Connolly Spirit of Glasgow Award. They were:

Top Row:
Amanda Dwyer (Comedian) 
Chris Conway (Comedy promoter/owner of Blackfriars of Bell Street)
Kate Hammer (Comedian)

Second Row:
Kim Blythe (Comedian)
Susan Riddell (Comedian)
Zara Gladman (Writer, performer, and producer)

The winner was: Amanda Dwyer.


Accepting the award, she was speechless, never believing she would win, already assuming that her Material Girl partner, Susan Riddell, would take it.  The short video they showed of Billy Connolly praising Amanda was quite emotional. He looked unwell, with the moonface of a man possibly on long-term steroids. Lovely to hear his voice, though.

As we departed the room, the audience was treated to an airing of his 1974 song, "If It Wasnae for Your Wellies". Lovely to hear that again.

All the nominees were present, even those not performing (Chris Conway isn't a comedian). I know this because an old friend of mine managed to snatch selfies with each individual at the stage door. It's his thing.

Outside, we spotted Dave Flynn, producer of Breaking the News. My wife wouldn't let me take his picture. She didn't need to say it. She just gave me a look.

Ticket Price: £24.10 x2 + Transaction Fee £3.95 = £52.15 from ATG Tickets.

Thursday, 4 December 2025

Breaking The News, Drygate, Glasgow. Thursday 4th December, 2025

Host: Des Clarke

Panellists:
Elaine Malcolmson
Susie Mccabe
Ahir Shah
Chris Thorburn

This week's audience question: "What is your favourite Scottish Word and why?" Examples: stooshie, eejit, blootered, stramash.

Mashed-up question: Fallout from the Budget: Scots and Gaelic become recognised official languages.

Also discussed: Your Party, Scottish words, Kiefer Sutherland bringing panto to the US, and the entire village of Dull being offered a publicity stunt holiday to Vienna. 

Ahir's English accent is so plummy; his attempts at speaking Scottish words sounded so wrong. Elaine Malcomson often killed with her deadpan responses. Susie is, nowadays, ostensibly a national comic treasure. 

We were guided to seats near the front and had a camera pointed at us regularly, so there's every chance we'll make it onto the TV recording at some point. 

Ticket Price: Free from BBC Shows and Tours  

Addendum:
Looks like we made the cut.





Wednesday, 24 September 2025

BBC NEW COMEDY AWARDS - Glasgow Barrowlands. Wednesday 24th September, 2025


A Facebook advert alerted me to this free BBC show, with tickets available via Eventbrite, rather than the BBC's official website. It wasn't even a lottery for tickets. You registered and ordered the number you wanted. This still didn't guarantee entry, however. 

Last year, I attended the Scottish heat in Paisley Town Hall. They obviously wanted to go bigger this year, so they had booked the Barrowland. I imagined a packed, standing crowd of 1,900 comedy fans. The big time.  

Bob (now forever known as The Bad Man) and I arrived early, long before the shutters had even been raised. I chatted to the bouncer, trying to establish the layout for the gig. He informed me they were not using the main stage but had erected a purpose-built platform and laid out tables and chairs. So not standing, then.

When we got in, we had to wait to be shown to our seats. The Bad Man allowed us to be seated at the front, much to my consternation. I warned him that he was taking any flak from the comedians, not me.

This is how close we are to the stage!

Gareth Mutch was on warm-up duties again. He didn't pick on us, fortunately, and was a tad better than last year. One heckler threatened to stab him up the arse, an act never intended to involve a knife, which led to some confusion. We never got to the bottom of it (boom, boom). You've got to love Glasgow's East End.

Christopher Macarthur-Boyd hosted and was a revelation. Boy, has he grown up. I don't mean physically. He still looks like he buys his shoes from the kids' section in Clarks, but his style, delivery and demeanour have matured into those of a fine comedian.   

The judges were Daniel Foxx and Susie McCabe, with Fatiha El-Ghorri as head judge. Christopher made reference to Daniel's bright ORANGE trainers and BLUE notebook, suggesting that Daniel might have missed the memo about the event's location. The banter between Christopher and the judges had to be redone as a pick-up at the end, much to Fatiha's mock annoyance, bruv.

The five acts were all different: Ayo Adenekan, a tall, black, bisexual man from Edinburgh, did the same act that he performed at the GICF Gala last year. Forgive me, but I can't remember the other acts' names. One was a gay dude from Castlemilk (his material was great, including one gag about his junkie parents being drug-free for over six years now, may they rest in peace). The female comic was high-energy, with a touch of Catherine Tate and Harry Hill about her. This was when my nightmare began. Her eyes were drawn to me during a bit about the size of her breasts. I was picked on to maintain eye contact while she discussed what happens to them when she lies down, expressing in glorious detail how she needs to scoop them up when they splay across her front. I felt my face glowing red. 

The second-to-last act was a low-energy oddball, who made long grrrr noises as a run-up to his next line. He had to repeat some of his routine in the pickups, which he found awkward as they'd taken away his Terry Nutkins photo, presumably because they didn't have permission to use it.

And finally, on came the musical act with his guitar, after a false start because the instrument wasn't properly miked. On take two, he draws me into his conversation, asking what I had dreamed of becoming as a child, and then whether that dream came true. Cue a song, not involving anything I had said. Later, he asked what my name was and what I found most attractive about him. Cue awkward moment when my mind went blank. I stuttered, "Your height?" to which he took mock offence, before singing a song about his attractiveness, incorporating my suggestion dismissively.

During the interval, when the judges went off to deliberate their choice, two BBC officials descended on our table, presenting me with a release contract giving them permission to use me in the programme. Bad Man found this hilarious. 

I filled it in, signed it, and then stewed over all the better replies I could have given.  I was also approached by a comedy fan who tried to persuade me to attend a show at Oran Mor, handing me a flyer, suggesting that the ticket price could be reduced by using his name as a discount code. He was from Paisley too, but seemed out of his depth when I started discussing the Edinburgh Fringe shows I'd enjoyed. Strike one for comedy nerddom. 

After the interval, the judges announced the winner, not surprisingly, selecting Ayo Adenekan. He was the one I would have picked, too.

Then, there were the pickups, with Gareth having to remind the audience not to leave their seats, as the show was not yet finished. We got away just after 9pm. 

I still felt harried on the drive home, realising my ugly mug will end up on the iPlayer later this year. The BBC must have needed to tick off a few diversity boxes, such as old, straight, bald, fat, white and male. We're an underrepresented minority these days. 

Ticket Price: Free.






Sunday, 30 March 2025

GICF Comedy Gala 2025. King's Theatre Glasgow. Sunday 30th March, 2025


The great thing about the GICF Comedy Gala is that it exposes you to comedians you wouldn't normally see. Each of the hand-picked comedians gets five minutes to show off their talents in a sampler of their work. And boy, what a feast it was.

On hosting duties was last year's recipient of the Billy Connolly Spirit of Glasgow award, Susie Mccabe. First up was Zoe Lyons, who was probably the most famous act on the bill. She was followed by Chris Thorburn, Viv Gee, Ayo Adenekan and Kim Blythe. Rounding off the first half with a beat-heavy, blistering impromptu rap involving objects from the pockets of the first two rows was MC Hammersmith. He was my favourite from this group. 

At this point, the event organisers surprised Viv Gee with a special one-off award issued by the Lord Provost of Glasgow in recognition of outstanding Glaswegians during its 850th year. She received a bespoke trophy (a plate) in recognition of her extraordinary contribution to the comedy community in Glasgow. 

After the interval, Susie introduced Kate Hammer, Stephen Buchanan, Alana Jackson and Connor Burns before finishing off the comedy with a set of her own. Connor was my fave from this half, even though I'd heard him deliver the material only a few weeks ago.

Then, all that remained was for Festival Director Krista MacDonald and Elaine C Smith to announce who had won this year's Billy Connolly award.  2025’s Shortlist included Craig Hill, Kim Blythe, Marjolein Robertson, Paul Black, Rosco McClelland, Scott Agnew and Viv Gee. I was surprised that only two of the acts performed, although my wife noticed Paul Black appearing from backstage at the interval. I wonder how many of the others were present to hear Rosco McClelland win the award. He seemed flabbergasted to have won, finding it difficult to express how much it meant to him to have Billy Connolly, his comedy hero, pick him. 

A friend and former colleague was also in the crowd. We both agreed it was a great afternoon and hoped to attend again next year. It's a great way to celebrate comedy in Glasgow.

Ticket Price: £24.10 x 2 plus £3.95 Transacton Fee from ATG Tickets. 

















Saturday, 30 March 2024

GICF Comedy Gala. King's Theatre, Glasgow. Saturday 30th March, 2024


Another solo gig for me, with my wife still recuperating from Covid. When I arrived, the auditorium was not yet open, so I made for the upstairs bar. Looking around, I noticed the walls had framed photos of famous actors and signs indicating the year they performed at the venue. For example, Michael Caine trod the boards there in 1959. Not a lot of people know that. I meant to snap a few of them to post here, but it was too busy. 

I had plenty of legroom on the front row of the Grand Circle, not just because of my missing wife. There was one seat free on my right and two more on my left. I must have appeared like a right Jonny No Mates, which was why it felt so good to notice a former colleague also on the Grand Circle. At the interval, I texted to confirm it was her, and then we chatted at the back. It's always nice to see a friendly face.

Susie McCabe was the gala's host. In the first half, she introduced Billy Kirkwood, Kiri Pritchard-McLean, Stuart McPherson, Jin-Hao Li, Susan Riddell, and Craig Hill. They each received five-minute slots, and all performed well (although many of them opened with How are you doing, Glasgow? - Were they not listening to our previous answer?). I was most impressed by Jin-Hao Li, who has a great delivery and a unique style. One to watch (and listen to, obviously).  

The second half featured Luisa Omielan, Zara Gladman, Rosco McClelland, Raymond Mearns, and Janey Godley (last year's recipient of the Sir Billy Connolly Spirit of Glasgow Award). Luisa came across well, with some excellent material. It was harder to get into Zara Gladman as she is a character act, and I didn't know her work. Janey has always been a force of nature, but now, with her cancer diagnosis, she is totally unleashed and terrifyingly funny. The top act of the afternoon, in my opinion. 

The afternoon finished with the presentation of this year's Spirit of Glasgow Award. After an introduction by the festival organiser, Elaine C Smith announced the winner, with Janey Godley handing the award to Susie McCabe. There was a touching video from Sir Billy, which made Susie quite emotional. We left the gala with the PA system playing If It Wisnae fur yer Wellies, which brought another smile to the crowd's faces. 



Susie, with the other nominees.

I was surprised to learn that the festival is run by a core team of just five people. Maybe once I retire, I should investigate how to get involved. With a staff discount, I could save a fortune on tickets.

Ticket Price: £24.10 each plus £3.95 transaction fee from ATG.         

Tuesday, 14 December 2021

Frankie Boyle's New World Order End Of Year Show Recording, Film City, Glasgow. Tuesday 14th December, 2021


I missed out on GUN's Barrowland gig on Saturday thanks to an unfortunate COVID ping from Track and Trace. At any other time, a ten-day forced absence from work would have been a delight (excepting the illness part) but this week I was on holiday and had gigs to attend. Fortunately, my PCR result returned negative so my plans for the rest of the week were not scuppered. 

Originally, this show wasn't on my list for this week. I hadn't even bothered applying for tickets. Then, after watching the show, I noticed a name I recognised on the show's end credits. I contacted her to check if she was this person (I knew she worked in television) hoping to get some juicy backstage goss about the show. I happened to mention how long I've admired Frankie Boyle's work and she responded by offering me tickets to one of the recordings. Not just tickets, production seats, the M&S of show tickets, although at the time I didn't realise how big a deal this was. 

So, tickets printed and maps checked, we drove to Ibrox Underground station and walked the short distance to Film City on Govan Road, not failing to notice the number of parking spaces available closer. It was a cold night but the rain had paused so it wasn't too much of an inconvenience. We joined the end of the queue, which had stretched around the corner of the building. The Standing Room Only staff were checking names and temperatures. When they came to us, they highlighted that we had Production Seats and indicated we should head to the front and go in. My temp check was fine but the thermometer froze during Bob's scan. They eventually needed to scan his neck having failed to register anything other than LOW on his forehead and wrist.

At the front, the doors were already open and the queue was moving in. They closed ranks as we approached not leaving any gaps so we stood there until a security person pushed through with someone else, announcing "VIPs coming through". We tagged on behind. At the next checkpoint, the staff checked my name again and gave us silver wristbands and examined our COVID passports. The lady wanted to see all the content, not just the QR code. Then we were handed black PPE facemasks to wear during the show.

We waited in the holding area in the building's cafe. There, a security woman with long dark hair and fierce eyeliner kept us away from the doors marked PRODUCTION  and TALENT and directed those in need towards the toilets. She didn't appear happy in her job, like a wolf forced to shepherd sheep. We didn't have too long to wait before she announced that Gold and Silver wristband holders could proceed into the studio.

It felt like we had priority boarding as we headed in, greeted by an attractive production assistant who ushered us to our seats. This feeling of elation grew even stronger when I saw the signs for our reserved seats, with my name in capitals, in the second row from the front. 


The studio lights were warm as we waited for the rest of the audience to filter in. Cameramen and the production crew stood around waiting too. Without a fanfare, comedian Christopher MacArthur-Boyd jumped onto the stage to warm us up, performing material at least one audience member had heard before.

Then Frankie came on to greet us, telling us the three jokes he uses to gauge an audience's tolerance levels. And the show began.

The recording went on far longer than the half-hour programme suggests, going on for nearly two hours and those seats are not comfortable over a prolonged period. With the audience lights dimmed, the room grew colder despite being packed in close together. Fortunately, there were plenty of laughs to keep us warm. There was a brief respite where they paused the show to allow Jamali Maddix a fag break. Christopher came back and that gave us wriggle time knowing the cameras were off. 

As this is television, at the end there were pick-ups to do, one where Frankie had mispronounced Ant McPartlin's surname and another where Susie McCabe had to redo her bit about Talk Radio. It was also strange listening to Frankie recite a monologue of words like up first, up next, and finally, one after another to be subsequently used in the edit to link the sequences.

The cast posed for a picture and it was all over.


A fun experience and I can't wait to see what they use. One bit I know won't be in it is the first joke from Frankie's end of show monologue. Even he knew it, returning to his seat to start afresh, beginning with the next joke.  

Thank you to Clare Hipkiss for arranging the tickets. Check out her novel, Tales from the Ice Cream Van here. It's really good.