Panellists: Susie McCabe, Chris Thorburn, Ifrah Qureshi and Sam Lake.
Round One: Broken News Round.
John Swinney accused of transforming into a dictator by the "Chuckle Brothers" from Greenock
UK Government approved drilling at the Jackdaw Gas Field
A blog to record my immediate post-gig thoughts. Don't expect professional criticism. I'm just a punter with a sense of humour.
Another newcomer, Jack Brookmyre, looked uncomfortable in his sleeveless denim jacket patched with heavy metal band logos, but gave a confident performance. His voice work is great, especially his Gollum. One to look out for.
Stuart Mitchell's star is in the ascendant. He's always reliable for a laugh and today was no exception.
Mhairi Black was a more left-field choice, but she showed that her transition from politics to stand-up has gone well. She has always been a great speaker and knows how to be funny.
Rosco McClelland closed the stand-up element of the Gala, confident enough to throw in some new material which didn't hit the mark.
After this, the Festival Director, Krista MacDonald, gave an impassioned speech about celebrating Scottish comedy, a flourishing circuit despite the lack of financial support it receives as an art form. She introduced a video highlighting each nominee for the Billy Connolly Spirit of Glasgow Award. They were:
The winner was: Amanda Dwyer.
Accepting the award, she was speechless, never believing she would win, already assuming that her Material Girl partner, Susan Riddell, would take it. The short video they showed of Billy Connolly praising Amanda was quite emotional. He looked unwell, with the moonface of a man possibly on long-term steroids. Lovely to hear his voice, though.
As we departed the room, the audience was treated to an airing of his 1974 song, "If It Wasnae for Your Wellies". Lovely to hear that again.
All the nominees were present, even those not performing (Chris Conway isn't a comedian). I know this because an old friend of mine managed to snatch selfies with each individual at the stage door. It's his thing.
Outside, we spotted Dave Flynn, producer of Breaking the News. My wife wouldn't let me take his picture. She didn't need to say it. She just gave me a look.
Ticket Price: £24.10 x2 + Transaction Fee £3.95 = £52.15 from ATG Tickets.
Last year, I attended the Scottish heat in Paisley Town Hall. They obviously wanted to go bigger this year, so they had booked the Barrowland. I imagined a packed, standing crowd of 1,900 comedy fans. The big time.
Bob (now forever known as The Bad Man) and I arrived early, long before the shutters had even been raised. I chatted to the bouncer, trying to establish the layout for the gig. He informed me they were not using the main stage but had erected a purpose-built platform and laid out tables and chairs. So not standing, then.
When we got in, we had to wait to be shown to our seats. The Bad Man allowed us to be seated at the front, much to my consternation. I warned him that he was taking any flak from the comedians, not me.
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| This is how close we are to the stage! |
Gareth Mutch was on warm-up duties again. He didn't pick on us, fortunately, and was a tad better than last year. One heckler threatened to stab him up the arse, an act never intended to involve a knife, which led to some confusion. We never got to the bottom of it (boom, boom). You've got to love Glasgow's East End.
Christopher Macarthur-Boyd hosted and was a revelation. Boy, has he grown up. I don't mean physically. He still looks like he buys his shoes from the kids' section in Clarks, but his style, delivery and demeanour have matured into those of a fine comedian.
The judges were Daniel Foxx and Susie McCabe, with Fatiha El-Ghorri as head judge. Christopher made reference to Daniel's bright ORANGE trainers and BLUE notebook, suggesting that Daniel might have missed the memo about the event's location. The banter between Christopher and the judges had to be redone as a pick-up at the end, much to Fatiha's mock annoyance, bruv.
The five acts were all different: Ayo Adenekan, a tall, black, bisexual man from Edinburgh, did the same act that he performed at the GICF Gala last year. Forgive me, but I can't remember the other acts' names. One was a gay dude from Castlemilk (his material was great, including one gag about his junkie parents being drug-free for over six years now, may they rest in peace). The female comic was high-energy, with a touch of Catherine Tate and Harry Hill about her. This was when my nightmare began. Her eyes were drawn to me during a bit about the size of her breasts. I was picked on to maintain eye contact while she discussed what happens to them when she lies down, expressing in glorious detail how she needs to scoop them up when they splay across her front. I felt my face glowing red.
The second-to-last act was a low-energy oddball, who made long grrrr noises as a run-up to his next line. He had to repeat some of his routine in the pickups, which he found awkward as they'd taken away his Terry Nutkins photo, presumably because they didn't have permission to use it.
And finally, on came the musical act with his guitar, after a false start because the instrument wasn't properly miked. On take two, he draws me into his conversation, asking what I had dreamed of becoming as a child, and then whether that dream came true. Cue a song, not involving anything I had said. Later, he asked what my name was and what I found most attractive about him. Cue awkward moment when my mind went blank. I stuttered, "Your height?" to which he took mock offence, before singing a song about his attractiveness, incorporating my suggestion dismissively.
During the interval, when the judges went off to deliberate their choice, two BBC officials descended on our table, presenting me with a release contract giving them permission to use me in the programme. Bad Man found this hilarious.
I filled it in, signed it, and then stewed over all the better replies I could have given. I was also approached by a comedy fan who tried to persuade me to attend a show at Oran Mor, handing me a flyer, suggesting that the ticket price could be reduced by using his name as a discount code. He was from Paisley too, but seemed out of his depth when I started discussing the Edinburgh Fringe shows I'd enjoyed. Strike one for comedy nerddom.
After the interval, the judges announced the winner, not surprisingly, selecting Ayo Adenekan. He was the one I would have picked, too.
Then, there were the pickups, with Gareth having to remind the audience not to leave their seats, as the show was not yet finished. We got away just after 9pm.
I still felt harried on the drive home, realising my ugly mug will end up on the iPlayer later this year. The BBC must have needed to tick off a few diversity boxes, such as old, straight, bald, fat, white and male. We're an underrepresented minority these days.
Ticket Price: Free.
Originally, this show wasn't on my list for this week. I hadn't even bothered applying for tickets. Then, after watching the show, I noticed a name I recognised on the show's end credits. I contacted her to check if she was this person (I knew she worked in television) hoping to get some juicy backstage goss about the show. I happened to mention how long I've admired Frankie Boyle's work and she responded by offering me tickets to one of the recordings. Not just tickets, production seats, the M&S of show tickets, although at the time I didn't realise how big a deal this was.
So, tickets printed and maps checked, we drove to Ibrox Underground station and walked the short distance to Film City on Govan Road, not failing to notice the number of parking spaces available closer. It was a cold night but the rain had paused so it wasn't too much of an inconvenience. We joined the end of the queue, which had stretched around the corner of the building. The Standing Room Only staff were checking names and temperatures. When they came to us, they highlighted that we had Production Seats and indicated we should head to the front and go in. My temp check was fine but the thermometer froze during Bob's scan. They eventually needed to scan his neck having failed to register anything other than LOW on his forehead and wrist.
At the front, the doors were already open and the queue was moving in. They closed ranks as we approached not leaving any gaps so we stood there until a security person pushed through with someone else, announcing "VIPs coming through". We tagged on behind. At the next checkpoint, the staff checked my name again and gave us silver wristbands and examined our COVID passports. The lady wanted to see all the content, not just the QR code. Then we were handed black PPE facemasks to wear during the show.
We waited in the holding area in the building's cafe. There, a security woman with long dark hair and fierce eyeliner kept us away from the doors marked PRODUCTION and TALENT and directed those in need towards the toilets. She didn't appear happy in her job, like a wolf forced to shepherd sheep. We didn't have too long to wait before she announced that Gold and Silver wristband holders could proceed into the studio.
It felt like we had priority boarding as we headed in, greeted by an attractive production assistant who ushered us to our seats. This feeling of elation grew even stronger when I saw the signs for our reserved seats, with my name in capitals, in the second row from the front.